ARGYRO

In this interview, ARGYRO opens up about the renewed release of “Lifeline,” the creative process behind her music and visuals, and how a transformative year is guiding her artistic evolution.

1. “Lifeline” was originally part of your album Glitterati, yet you chose to release it as a standalone single with a new music video. What made this the right moment to spotlight this particular song?
“Lifeline” has always been one of those songs that quietly taps you on the shoulder. It’s about reconnection, humanity, and noticing how divided the world has become. Right now felt like the perfect moment to let it step out on its own. If there was ever a time to put a little unity back into the conversation – or at least nudge people toward it – it’s now.

2. The track carries strong themes of unity, compassion, and human connection. What inspired you to write “Lifeline,” and how do those themes reflect your personal experiences or your philosophy as an artist?
It feels like everyone is living in their own silo these days – little bubbles, little factions, each with their own storyline playing on repeat. With “Lifeline,” I wanted to shake that up a bit. Not in a preachy way, just in a ‘hey, maybe let’s look up and notice each other again’ kind of way. As an artist, I’m always trying to remind myself and everyone listening that perspective is a powerful thing.

3. You’re known for handling nearly every part of the instrumentation yourself. How does that shape the emotional tone of “Lifeline”?
Playing all the instruments lets me translate the melodies in my head without any detours. It’s like directing the entire cast myself – I get to shape every sound, every rhythm, every texture. That control allows me to be more honest emotionally. Instead of explaining what I want to another musician and hoping we land in the same place, I can just… build it. It’s a very direct line from imagination to music.

4. The music video expands the message of the song visually with a bold narrative. Can you walk us through the concept and what you wanted the imagery to communicate?

We wanted the video to feel like a look inside the process, but also inside the mind. So we mixed studio performance with these moments in nature and isolation. My director, Elgin Cahill, had this idea of dropping me into the elements to show introspection – me versus the wilderness, basically. Hopefully that contrast adds another layer to what the song is saying.

5. Your 2025 has been huge – Glitterati is climbing, and your acting career is taking off with Christmas Cards on Amazon Prime. How has balancing music and acting influenced your creativity this year?
Honestly, they feed each other. Our film is all about community and connection, which are the exact themes I dove into on Glitterati. Acting and music are just two different tools for expression. One uses a camera; one uses a mic – but they both want the same thing: to make people feel something.

6. With Glitterati still gaining traction and new projects ahead, where do you see your next artistic chapter heading? Any collaborations or releases you’re excited about?
I was just cast as Bureau Chief Mark Taylor in the upcoming thriller ‘White Sycamore’, so it looks like the acting universe isn’t done with me yet. And on the music side, I’m already sketching ideas for the next project – my notebooks are getting suspiciously full again. I’ll probably start recording in 2026. In short: I plan on staying busy and staying curious.

Argyro Official (@argyroofficial) • Photos et vidéos Instagram